The Historical Accuracy Of Francis Ford Coppola's Apocalypse Now / A Modernist View Of The Reality Of The Vietnam War
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This 8 page paper considers the issue of the historical accuracy of the depiction of the Vietnam War era as a whole as well as specific events presented in the film Apocalypse Now. Though critics have argued that the film presents one of the most emotionally and socially accurate views of the Vietnam War, and even though the film also presents some historical context which is factual, it can be argued that the actual events of the film do not appear to have a substantive base in historical factuality. Bibliography lists 7 sources.
Filename: Apocalno.wps

The Vietnam War - as Told to Movie Audiences - 'Coming Home,' 'Good Morning Vietnam' and 'Born on the 4th of July'
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This 7 page report discusses three Vietnam War movies in the context of their symbology and the ways in which they represent the attitudes of Americans directly involved in the war and those presenting their cinemagraphic viewpoints of a war that did not have the simplistic good guy against bad guy scenario. By the late 1980s, both television and movie producers had become willing to consider Vietnam as a useful and marketable topic. Ironically, and more than probably - accidentally, America's artistic involvement in Vietnam has mimicked its military presence there. Bibliography lists 7 sources.
Filename: BWnammov.rtf

'The Real Malcolm X': TV Presentation
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A 5 page paper which analyzes the presentation of the movie 'The Real Malcolm X,' which was a CBS television program designed to investigate who Malcolm X was, what he stood for, and what he represented to many citizens of the country, if not the world. The paper examines how the movie presented Malcolm X, how they portrayed the Nation of Islam, and how the movie generally addressed all the issues that were of importance to Malcolm X and his followers. Bibliography lists 3 additional sources.
Filename: RAmalxcbs.wps